<H2> News </H2> |
<H2> The Amplify Collective </H2> |
<H2> Jobs </H2> |
<H2> Events </H2> |
<H2> Opportunities </H2> |
<H2> Education </H2> |
<H2> Grants </H2> |
<H2> Reviews </H2> |
<H2> Career Articles </H2> |
<H3> Ted Hopkins: a personal reflection on his life </H3> |
<H3> Honouring painting through increased prize money and local engagement </H3> |
<H3> Hip hop a catalyst for new collaboration and growing audiences </H3> |
<H3> Blue Cow Theatre to take its final bow </H3> |
<H3> Experiencing Jordan Wolfson's $6.6 million robotic sculpture </H3> |
<H3> This week's arts news and trending topics </H3> |
<H3> Want more content? </H3> |
<H3> Under a wet blanket: navigating the Australian arts ecosystem as First Nations artists </H3> |
<H3> A burgeoning career path that links arts and law </H3> |
<H3> Sculpture on the Edge promises an immersive experience to suit all abilities </H3> |
<H3> Towards continuum: behind the hardware of digital art </H3> |
<H3> Melbourne gallery has artists seeing red </H3> |
<H3> Dark side of the arts: where fear and transparency collide </H3> |
<H3> Want more content? </H3> |
<H3> National Visual Art Education Conference </H3> |
<H3> Bunjil Place Unveils Summer Stage Festival </H3> |
<H3> Summer Holiday Drama Workshops </H3> |
<H3> International Summer School ISS2024 </H3> |
<H3> Possum Magic The Stage Show - Chatswood </H3> |
<H3> Conflated </H3> |
<H3> Want more content? </H3> |
<H3> The 2024 Telstra National Aboriginal and Torres Strait Islander Art Award - Call for Entries </H3> |
<H3> UniSQ Biennial Art Award </H3> |
<H3> EOI - large-scale, site-specific, and/or immersive temporary illuminated installations </H3> |
<H3> SWELL Sculpture Festival 2024 Call for Entries! </H3> |
<H3> Muswellbrook Art Prize </H3> |
<H3> Want more content? </H3> |
<H3>
The Foundation Program
</H3> |
<H3>
Master of Media Practice and Industry
</H3> |
<H3>
Brisbane City Council - Creative Sparks and Lord Mayor's Creative Fellowship grants - Now Open
</H3> |
<H3>
Arts Fund Grants
</H3> |
<H3> Exhibition review: NotFair, 333 Malvern Road, South Yarra </H3> |
<H3> Opera review: Aida, QPAC </H3> |
<H3> Book review: So Close to Home, Mick Cummins </H3> |
<H3> Book review: Beatrix & Fred, Emily Spurr </H3> |
<H3> Exhibition review: Fairy Tales, Gallery of Modern Art </H3> |
<H3> A burgeoning career path that links arts and law </H3> |
<H3> Equipping Asia Pacific arts leaders with critical skills </H3> |
<H3> Exit interview: Sue Roff, Art Projects Australia </H3> |
<H3> Creative Exchange podcast series launched </H3> |
<H3> Me and my mentor: Fiona Jury and Robin Baker </H3> |
<H3> Want more content? </H3> |
<H4> Dr Sue McCauley </H4> |
<H4> Celina Lei </H4> |
<H4> Gina Fairley </H4> |
<H4> Richard Watts </H4> |
<H4> Gina Fairley </H4> |
<H4> Gina Fairley </H4> |
<H4> Axel Garay </H4> |
<H4> Leo Chau </H4> |
<H4> Charmaine Idris </H4> |
<H4> Karen Leong </H4> |
<H4> Jessi Ryan </H4> |
<H4> Jessi Ryan </H4> |
<H4> Technical Coordinator </H4> |
<H4> Orchestra Manager </H4> |
<H4> Digital Marketing Executive </H4> |
<H4> Front of House Manager/Receptionist </H4> |
<H4> Programming Coordinator </H4> |
<H4> Partnerships and Philanthropy Manager </H4> |
<H4> Canberra </H4> |
<H4> Melbourne </H4> |
<H4> Sydney </H4> |
<H4> Sydney </H4> |
<H4> Sydney </H4> |
<H4> Regional New South Wales </H4> |
<H4> Visual Arts </H4> |
<H4> Visual Arts </H4> |
<H4> Installation </H4> |
<H4> Digital </H4> |
<H4> Ceramic Art </H4> |
<H4> Study Mode: </H4> |
<H4> Sydney </H4> |
<H4> Study Mode: </H4> |
<H4> Sydney </H4> |
<H4> Applicants: </H4> |
<H4> Artforms: </H4> |
<H4> Brisbane </H4> |
<H4> Applicants: </H4> |
<H4> Artforms: </H4> |
<H4> Adelaide </H4> |
<H4> Grants Closing Soon </H4> |
<H4>
Creative Sparks Grants
</H4> |
<H4> Queensland </H4> |
<H4>
Createability Internship Program – Host Organisation EOI
</H4> |
<H4> New South Wales </H4> |
<H4>
Infrastructure Grants: Community Infrastructure
</H4> |
<H4> New South Wales </H4> |
<H4> Celina Lei </H4> |
<H4> Suzannah Conway </H4> |
<H4> Erich Mayer </H4> |
<H4> Ned Hirst </H4> |
<H4> Gina Fairley </H4> |
<H4> Leo Chau </H4> |
<H4> Celina Lei </H4> |
<H4> Aimee Dodds </H4> |
<H4> Madeleine Swain </H4> |
<H4> Rochelle Siemienowicz </H4> |
Social
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Cost and overhead previously rendered this semi-public form of communication unfeasible.
But advances in social networking technology from 2004-2010 has made broader concepts of sharing possible.